La jaula de oro (The Golden Dream, 2013)

Directed by Diego Quemada-Díez
Written by Diego Quemada-Díez, Gibrán Portela, Lucía Carreras,
Starring: Karen Noemí Martínez Pineda, Rodolfo Domínguez, Brandon López
BY JESÚS RODERO
Despite having been premiered in 2013 at the Cannes Film Festival, La jaula de oro deals with a highly topical subject: that of unaccompanied migrant minors from Central America to the USA. It was the first and only featured-length film to date by Mexican-Spanish director Diego Quemada-Díez and received a number of awards at numerous film festivals around the world, including 9 Ariels from the Mexican Film Academy. Quemada-Díez had worked as a camera operator for filmmakers such as Alejandro González Iñárritu, Spike Lee, Tony Scott and Ken Loach. The influence of the latter is obvious in the documentary style the film adopts – with no concessions to sentimentalism or melodrama –, the improvised or (semi)improvised dialogues and the use of non-professional actors.
Estiu 1993 (Summer 1993, 2017)
Written and directed by Carla Simón
Starring: Laia Artigas, Paula Robles, Bruna Cusí, David Verdaguer
BY RAQUEL MARTÍNEZ
Summer 1993 is the first (and to this date, only) full-length film by Catalan director Carla Simón. Last year, Summer 1993 screened in Glasgow as part of the Scottish Mental Health Arts Festival, where it received the Best Film award. This was hardly surprising, as Simón’s coming of age story had already bagged a few prizes all over Europe, including the Best First Feature Award at the prestigious Berlinale. Ignoring the tense relations between Catalonia and Spain at the time, Read More…
Felices 140 (Happy 140, 2015)
Directed by Gracia Querejeta
Written by Antonio Mercero and Gracia Querejeta
Starring: Maribel Verdú, Antonio de la Torre, Eduard Fernández
BY PABLO DE CASTRO
Spain may not be the most popular country in Scotland these days – in fact it hasn’t been for quite some time now: threats back in 2014 to veto any attempt for an independent Scotland to join the EU resulted among other things in occasional calls against the rights of the Spanish fishing fleet to work in Scottish waters. The recent events in Catalonia haven’t been helpful either to improve this image of a government prone to bullying their way around. Read More…
Hermosa juventud (Beautiful Youth, 2014)
Directed by Jaime Rosales
Written by Jaime Rosales and Enric Rufas
Starring: Ingrid García Jonsson, Carlos Rodríguez, Inma Nieto
BY RAQUEL MARTÍNEZ
In December 2014, the Spanish Prime Minister ̶ Mariano Rajoy ̶ claimed that the economic crisis was ‘history’.[1] In the same year, Catalan director Jaime Rosales released Beautiful Youth, a bleak observation of the effects of such crisis on one of Spain’s most vulnerable sectors: young people. Read More…
El pastor (The Shepherd, 2016)
Written and directed by Jonathan Cenzual Burley
Starring: Maribel Iglesias, Miguel Martín, Alfonso Mendiguchía
BY PABLO DE CASTRO
The 23rd edition of the extraordinary Spanish-speaking VIVA Festival Manchester took place just a couple of months ago. The film section is just one area of a much wider festival which addresses all means of artistic and cultural expression, including theatre, dance and visual arts. Once the festival was over, a few selected jewels started touring the country (same as the ‘Best of the IDFA’ tours The Netherlands: this will typically happen when cinema is seen as a cultural activity beyond business). These hidden gems have recently arrived to our own very Glasgow, and oh dear, the three selected pieces happen to arrive from Latin America. Read More…
LOREAK (Flowers, 2014)
Directed by José Mari Goenaga and Jon Garaño
Written by José Mari Goenaga, Jon Garaño and Aitor Arregui
Starring: Nagore Aranburu, Itziar Aizpuru, Itziar Ituño
BY R. MARTÍNEZ
Why do we give flowers to people? Are they a colourful allegory of youth and beauty? Or are they a tangible proof of feelings such as love or perhaps regret? Flowers are the main theme that binds the film Loreak’s female protagonists together. Loreak was filmed in the Basque language and is one of the strongest examples of 2015’s Basque cinema together with Asier Altuna’s enigmatic Amama. Read More…
La isla mínima (Marshland, 2014).
Directed by Alberto Rodríguez
Written by Rafael Cobos and Alberto Rodríguez
Starring: Javier Gutiérrez, Raúl Arévalo, Antonio de la Torre.
BY R. MARTÍNEZ
2014 was an incomparable year for Spanish cinema. The Spanish film industry started to show signs of recovery from the harsh blow suffered as a result of the economic crisis and the VAT tax rise (from 8% to 21%) imposed by the Conservative Government. This rehabilitation was visible at this year’s Goya Awards where, for the first time in several years, there wasn’t just one clear favourite but a few strong contenders. Andalusian director Alberto Rodriguez achieved a considerable victory over the other nominees by taking home a total of 10 Goya awards for his film La isla mínima, including Best Film and Best Director. Read More…
Stockholm (2013)
Directed by Rodrigo Sorogoyen
Written by Rodrigo Sorogoyen and Isabel Peña
Starring Aura Garrido, Javier Pereira, Jesús Caba
BY R. MARTÍNEZ
From time to time, one watches a film whose originality and inventiveness are able to surprise and excite even the most worn out audiences’ imaginations, always looking out for a true and special cinematic experience. Stockholm provides a lot of that and a little more. It is fresh and surprising, well-shot and better performed. It is new but has a very powerful cult element to it, borrowing from very interesting sources that should not be revealed, thus intending to optimise the artistic journey that is Stockholm. The less the spectator knows about it, the better. Read More…
El verano de los peces voladores (The Summer of Flying Fish, 2013)
Directed by Marcela Said
Written by Julio Rojas and Marcela Said
Starring Francisca Walker, Gregory Cohen, Carlos Cayuqueo, Guillermo Lorca, María Izquierdo
By ANA ZUMELZU
The Summer of Flying Fish is the first narrative film by Chilean director Marcela Said, who is known for her documentary works such as El Mocito and I Love Pinochet. It incorporates elements of a traditional coming-of-age tale, along with social and political commentary concerning the conflict between the indigenous southern Chilean Mapuche people and the state over land rights – the so-called “Mapuche movement”. Read More…